ACME
Virtual Production
From high-end commercials to photo-realistic virtual environments, ACME Virutal Production can take you anywhere you can imagine, all from the heart of Minnesota.
Stage
ACME houses the largest LED volume in Minnesota. A 60 ft × 16.5 ft curved wall delivering 14 million pixels of immersion at 2.6 mm pixel pitch and 1,000 nits brightness.
Engineered with native Unreal Engine + Pixera support, it’s ready for anything from single-camera plate shots to full virtual environments.
Trusted By
Services
We offer complete end-to-end virtual production services across the greater Minneapolis area. From full production management and our flagship studio to premium gear packages, in-house VAD, and seamless post-production, everything you need is under one roof.
Whether you’re booking the stage alone or looking for complete project support, our team and trusted network handle the details so you can focus on the creative.
"The volume wall feels like a real next step for automotive work. Being able to dial in lighting, sunlight, and environmental angles in real time made the process both efficient and creatively rewarding. It gave us a level of control that’s hard to achieve with traditional production, while still delivering a high-end, cinematic result. The volume wall feels like a fourth dimension for creativity. You’re no longer limited to real locations—you can build exactly what you want, and shape it in real time."
Tony Oberstar
Director
"It is always a pleasure filming at ACME. Not only are they the biggest stage in town, but they have the only LED wall this size with this much room in front of it. This was the only place we could do that in the midwest, and we were so happy to keep the work at home. Minneapolis is incredibly lucky to have this space here, in our backyard."
Maria Carrera
Executive Producer, sureCAN Productions
"What I find most valuable when working on the volume wall, is the image you see on camera is what you get. You prep and build your backgrounds much like you would on a location scout. I’ve enjoyed working with the volume and have found it to be a useful tool that’s capable of achieving otherwise very difficult or impossible results if shot on location."
Alex Horner
Director of Photography
"As fun as it is to focus on the environemtns getting displayed on the wall, you can’t ignore the physical limitations of the space you have to work with. ACME has enough space to do the kinds of things that just wouldn’t be possible on other stages, and when we shoot there, I know size isn’t limitation I’ll have to worry about."
John Wildauer
Virtual Production Supervisor
"The volume wall feels like a real next step for automotive work. Being able to dial in lighting, sunlight, and environmental angles in real time made the process both efficient and creatively rewarding. It gave us a level of control that’s hard to achieve with traditional production, while still delivering a high-end, cinematic result. The volume wall feels like a fourth dimension for creativity. You’re no longer limited to real locations—you can build exactly what you want, and shape it in real time."
Tony Oberstar
Director
"It is always a pleasure filming at ACME. Not only are they the biggest stage in town, but they have the only LED wall this size with this much room in front of it. This was the only place we could do that in the midwest, and we were so happy to keep the work at home. Minneapolis is incredibly lucky to have this space here, in our backyard."
Maria Carrera
Executive Producer, sureCAN Productions
"What I find most valuable when working on the volume wall, is the image you see on camera is what you get. You prep and build your backgrounds much like you would on a location scout. I’ve enjoyed working with the volume and have found it to be a useful tool that’s capable of achieving otherwise very difficult or impossible results if shot on location."
Alex Horner
Director of Photography
"As fun as it is to focus on the environemtns getting displayed on the wall, you can’t ignore the physical limitations of the space you have to work with. ACME has enough space to do the kinds of things that just wouldn’t be possible on other stages, and when we shoot there, I know size isn’t limitation I’ll have to worry about."
John Wildauer
Virtual Production Supervisor
